- #Collateral beauty movieshare movie#
- #Collateral beauty movieshare trial#
- #Collateral beauty movieshare series#
Now, as Searchlight’s future within the wider Disney universe remains an open question, the possibility that “Magazine Dreams” will go straight to Hulu becomes greater each day. A more accurate comparison to this situation is an incident from last year: When Bill Murray’s bad behavior shut down production of the Searchlight-produced “Being Mortal” midway through, Disney killed the project rather than letting director Aziz Ansari recast the role. That scandal predated the studio’s sale to Disney, which has a much lower tolerance for public screw-ups - especially on artsy projects less relevant to the studio’s bottom line. Seven years ago, the company endured “The Birth of a Nation” after buying it for the highest price tag in Sundance history only to witness director Nate Parker face the revelation of rape charges that dated back to his days at Penn State. Searchlight is one of the few studio divisions still vested in the ever-complicated equation of catapulting challenging movies into wide release, and some have suggested that the Majors scandal creates a miserable sense of deja vu. (“Magazine Dreams” cost around $7 million.) No matter how staggering the performance, a business model based around the actions and reputation of one person means greater risk. Movies produced for under $10 million can rise or fall on the basis of an individual’s involvement. While 21st-century star power remains a dubious conceit outside Tom Cruise - “Fast and Furious” movies sell cars more than people, the “Avatar” movies sell VFX - it still holds tyranny over the mid-budget marketplace. This disturbing thriller is built around Majors’ commanding performance as a lonely and unstable bodybuilder - and his rising currency in popular culture as the new villain of the Marvel Cinematic Universe. In contrast, Majors’ drama poses a serious challenge for Searchlight, which acquired 2023 Sundance hit “ Magazine Dreams” after a prolonged bidding war in the hopes of mounting a Best Actor campaign. From there, the studio has enough money to sort out the question of whether it decides to barrel forward or recast the character with a multiverse twist. Marvel hasn’t budged yet on Majors’ future as supervillain Kang the Conquerer, but it’s easy to understand why: Disney has time and options - its next project with Majors hasn’t set a clear production schedule, and it won’t be a huge legacy problem if Season 2 of “Loki” simply comes out with an air of awkwardness around it. The Hidden Link Between the WGA Strike and This Year’s Cannes Film Festival (Column) (He’s still attached to Spike Lee’s Amazon project “Da Understudy,” probably because Spike is such a fighter that he won’t let go of his star until someone forces his hand.)
#Collateral beauty movieshare series#
So did a number of upcoming projects, including Protagonist Pictures’ adaptation of the Walter Mosley novel “The Man in My Basement,” a series of ads for the Texas Rangers baseball team, and an unannounced Otis Redding biopic from Fifth Season. Majors’ attorney claims evidence of his innocence, but his agency and publicity team dropped the actor this month.
#Collateral beauty movieshare movie#
When you build projects around movie stars, you create a liability. Now, as various Majors projects let him go, the fallout exposes a film-business fallacy. After Majors was arrested and charged with assault and harassment, the news cycle cast immediate uncertainty on his future.
#Collateral beauty movieshare trial#
(OK, maybe not Paltrow, who defeated a lawsuit, scored $1 in damages while wearing expensive clothes, and resurrected the grotesque spectacle of a live-streamed court trial from the dregs of the Depp/Heard horror show to reclaim it as camp.)Īnyone living in the spotlight faces the potential for a public reckoning and with that, collateral damage. It’s been a tough couple of weeks for fame, whether you’re Donald Trump, Jonathan Majors, or Gwyneth Paltrow.
0 kommentar(er)
